( ON HIS BIRTHDAY)
The fire in Punjab was still burning and more than the fire destroying human beings and several parts of Punjab, there was a fire burning in every heart that was affected by the shocking riots all over Punjab. Politicians, religious leaders, writers, poets, filmmakers and almost every sensitive Indian and even the world was in a state of shock and in turmoil after seeing the most horrifying scenes of massive mascarre, loot, rape and other forms of in human acts. It was these riots that were going to lead to the army entering the Golden Temple(Operation Blue Star) to flush out terrorist who had sought shelter in the temple and ultimately to the day light assassination of the Prime Minister Mrs Indira Gandhi....
If there was one writer, poet and filmmaker who was obsessed with making a film about the burning subject, it was Gulzar. He had written a script keeping in mind the delicate subject he was trying to deal with. But, he found it very difficult to get known stars to work in the film for obvious reasons and had to take on a sensitive actress like Tabu, Om Puri and a group of new actor's of whom the only known face was Jimmy Shergill. He had his disciple, Vishal Bhardwaj who had dreams of being a part of the Indian cricket team but was not selected and elected to join films as a composer and formed a part of Gulzar's team, who was still to make a name for himself to score the music and Gulzar had all his dedicated technicians willing to with him in the most gruelling circumstances.
Gulzar who shared all his dreams and plans with this writer those days called me to ‘Boskyana', his bungalow cum-office on Pali hill. He asked for the masala yes we had during every meeting and just said, ‘Maachis'and before he could say anything else, I said,“that is title of your film on Punjab". He stood up and embraced me and said he was only interested in my reaction to the title,‘Maachis'and he took the final decision to make the film.He did not forget our meeting and my reaction to the title and when ‘Maachis'completed twenty-five weeks, he had the first party to celebrate the success of one of his films. And when the trophies were being handed over, he had made it a point to see that a trophy was made in my name too for what he called my‘creative contribution to my film'.I was the only journalist to receive a trophy for the success of a film....
But would ‘Maachis' be made without the complete financial support of Mr R.V Pandit who was the owner of Pan Music, the owner of the prestigious Nalanda Book Shop at the Taj Mahal Hotel where he also had his own permanent suite. His only condition with Guzar was that no one, including Gulzar would be paid any money in black. It was also the way he funded politician and all major political parties. He once carried me for a drink at the Taj and showed me papers of the financial deals he had made with politician who were the leading names of the times.
He had said he was willing to finance many more films, but he found it difficult to find people who would agree to his condition not to receive any money in black and he who was a man of his word refused to have anything to do with films and even closed down his music company. I have always felt that if the industry had followed his ways of dealing with money matters, this industry could have been a much better place than the mess it is in now. I have been looking for Mr Pandit for years, but have never seen him after the experience with Gulzar's ‘Maachis'......
The title is used as a metaphor that conveys that the youth of any nation are matchsticks that could ignite due to deficiencies in the political and policing systems.
Maachis was a critical and commercial success. Gulzar's direction and the music of Vishal Bhardwaj were strong points. To this day, many songs from the film, particularly "Chappa Chappa Charkha Chale" and "Chhod Aaye Hum Vo Galiyaan" can be heard playing on FM radio or TV channels. Bhardwaj went on to become a director and has directed movies such as Maqbool as well as the highly lauded Omkara. "Chhod Aaye Hum" was the first Hindi film song sung by the now famous Indian singer KK.
Maachis is a film about what atrocities can drive an ordinary human to do. It looks back at the Punjab problem and tries to figure out some of the root causes.
The story is set in mid-to-late 1980s in the Indian state of Punjab which had been wrecked by a violent insurgency in the aftermath of Operation Blue Star, the assassination of Prime Minister Indira Gandhi, and the subsequent 1984 Anti-Sikh riots. The story is relayed by a series of flashbacks.
Jaswant Singh Randhawa (Raj Zutshi) and his sister Veerendar "Veeran" (Tabu) live with their elderly mother Biji in a small village in Punjab. Kripal Singh (Chandrachur Singh) is Jaswant's childhood friend and Veeran's fiancé. He lives close by, with his grandfather.
Their peaceful lives are interrupted by the police led by Assistant Commissioner of Police Khurana and Inspector Vohra, searching for Jimmy (Jimmy Sheirgill), who allegedly had attempted to murder Kedar Nath, a member of the Indian Parliament. Jaswant mockingly leads the police to his dog named Jimmy. Angered by his insolence, Khurana and Vohra take Jaswant for questioning; he fails to return for days. Kripal struggles to locate Jaswant, visiting police stations in the area, while taking care of Jaswant's family. When Jaswant finally returns after 15 days, he has been badly beaten up by police, which enrages Kripal.
Unable to obtain help by any legal means to fight police brutality, Kripal sets off to locate his cousin Jeetay, who had ties with militant groups. Unable to locate Jeetay, Kripal instead encounters a man named Sanathan (Om Puri), whom he observes planting a time-bomb on a bus. Running into him again at a dhabha, Kripal asks a wary Sanathan to listen to his woes. Sanathan agrees to let Kripal travel with him on his truck being driven by the "Commander" (Kulbhushan Kharbanda) and carrying sacks of home-made bombs and two militants. Upon arriving at their hideout, Kripal explains his predicament and finds out that Jeetay was killed by the Commander himself for being a police informer. Fully aware of Kripal's background, family and his predicament, the Commander rebukes Kripal for coming to them as if they were professional killers. He tells him to kill Khurana himself and the group would protect him.
Kripal slowly earns the respect of the rest of the group and Sanathan, who explains that he is not fighting for a nationalist or religious cause, but for his basic civil rights and self-respect. Sanathan says that he is fighting against a system that victimises innocents and de-values ordinary people. It is later learned that Sanathan is a survivor of the communal violence that occurred with the Partition of India in 1947, wherein he lost most of his family in the 1984 anti-Sikh riots. Sanathan claims that it is the ruling class that is trying to divide society by religion for political gain.
Kripal trains with the group and plots the killing of Khurana. After a year, he assassinates Khurana in a busy marketplace. Before going into hiding, he visits Jaswant and Veeran one final time, both of whom are horrified at his deed. When Kripal returns to their hideout, he finds it empty. After a while of staying in hiding, he is contacted by a member of the group and is taken by the Commander to the group's new hiding place in Himachal Pradesh. The Commander informs Kripal that he is known to the police, who had taken Jaswant in for questioning again.
Kripal slowly begins to realise that there is no return to a normal life and finds solace in the company the unit, which is now preparing for a new mission and awaiting the arrival of a missile firing specialist. When thinking of applying for a local job, Kripal is warned by Sanathan that he is now a big-time terrorist in the eyes of the media and a means of promotion for police officers. One of the group members, Kuldip, narrowly escapes a confrontation with the police while trying to illegally transporting some explosives, sustaining injuries. Terrified by the experience, he pleads to Sanathan to let him go home, promising to emigrate to Canada. Sanathan reluctantly agrees. While the rest of the unit believes Kuldip is heading home, a bomb planted in his backpack explodes and kills him on his way home.
Meanwhile, Kripal learns that one of his comrades, Jaimal Singh, is none other than the Jimmy the police had been looking for. Soon afterwards, the missile shooter arrives and Sanathan introduces Veerendar. Kripal is shocked to find that Veerendar is his fiancée, Veeran. After they finally speak together alone, Kripal is horrified to learn that Jaswant, taken in for questioning after Khurana's murder, was beaten viciously and driven to commit suicide in the jail. His mother died soon after learning of this tragedy, leaving Veeran alone. After receiving daily visits from Inspector Vohra, Veeran decided to follow in Kripal's footsteps and try to reunite with him. Kripal and Veeran begin to grow close again.
Veeran is a welcome addition to the household, bringing the simple joys of normal life to the band of outlaws and developing a close friendship with the others, especially Sanathan and Wazir. The mission is revealed to be a plot to assassinate MP Kedar Nath, who had survived Jimmy's assassination attempt, as he arrived for a visit to a local Sikh shrine. During their stay together, Kripal and Veeran decide to get married quietly. Veeran quietly steals the cyanide pill from Kripal that each of the group members has and is supposed to use if ever caught by police.
While visiting the Sikh shrine to begin reconnaissance, Kripal spots Inspector Vohra, who has been put in charge of security for Kedar Nath's visit. Kripal tracks Vohra to the house where he is staying but, while attempting to kill him, is caught by Vohra and arrested by police. Meanwhile, one of the group members spots Kripal entering Vohra's residence. Arguing that if Kripal had been loyal, he would have taken the cyanide pill to kill himself, Sanathan concludes that Kripal was a police informer. Sanathan also accuses Veeran of helping Kripal and orders her into house-arrest. On the day of the mission, Sanathan orders the group to move and tells Wazir, who is guarding Veeran, to kill her. However, Veeran breaks free and kills Wazir. In the meantime, Jaimal and Sanathan execute the plot. Jimmy is killed while stopping Kedar Nath's motorcade on a bridge while Sanathan fires the missile to blow up Kedar Nath's car. On the run, Sanathan finds himself being tracked closely, not by the police, but by Veeran. Veeran kills Sanathan and escapes.
The film concludes with Veeran, who has not been exposed as a member of the group, visiting Kripal in prison. Here she gives Kripal his cyanide pill and later takes her own.
The film had the rare distinction of winning the hearts of people and even winning several awards, including the National Award for Tabu. Gulzar the filmmaker has not been able to come up to the standards of ‘Maachis'and now that he has decided not to make our even write films, I personally feel that Indian films have lost a great filmmaker before time. A film like‘Maachis'sets hearts and minds on fire only once in a way.