BEBAAK ,BEDHADAK , BINDAAS AUR BOLD BETIYAAN BOLLYWOOD KI ....

It is said that when God had completed creating the world, he created man as his most wonderful creation - Ali Peter John

He kept looking at man walking around in the world all alone and felt sad for him and when he saw man sleeping , he tucked out one of his ribs from his side and created a companion for him and called the companion Eve .

He asked the man and the woman to take an oath that they would not touch the forbidden fruit, but the devil tempted man and the woman to eat the forbidden fruit and when they ate it , they realized that they were naked and ran all over the place to look for ways of hiding their nakedness .

For years , man and woman made all kinds of efforts and experiments to cover their bodies , they finally succeeded in finding some kind of a cover made of the skin of animals and just wearing leaves to cover the bodies .

The man manage to cover at least half his body, but the women was still in search of a proper way of covering her body .

This way of dressing up for women continued for thousands of years and man discovered woman as an object of lust and sex.

And women too realized how men were attracted to them and looked at them with lust in their eyes .

This was an excuse for women to shed more and more of their clothes and nudity and even complete nudity became a way of life for women and for men who saw the bodies of women as cheap entertainment and men with creative minds saw women as their way of expression of their art mainly in their paintings and sculptures which can still be seen at the Ajanta and Ellora caves and in many other caves and even temples.

Flim making was a comparatively new medium but his new art of painting women in the nude or in semi -nude forms had still to make an impact .

But , once some flim makers and daring actresses were willing to do bold and daring scenes, there was no looking back .

It was in the 30's that Indian actresses like Lalita Pawar acted in scenes in which they had to do bold scenes and even appeared in bikinis of those time and even did kissing scenes without any embarrassment. These scenes gave ideas to other flim makers to have their actresses doing bolder scene.

In the 50's , hindi flims saw girls from good families willing to do scenes in swimming costumes and it was the actress Nutan who had just returned from her study pour abroad who took the audience by strom when she did a scene in a swimming costume and the audience was shocked because she was the daughter of the actress Shobhna Samarth who had played the role of Sita in Vijay Bhatt's "Ram Rajya" .

Other girls tried to follow Nutan , but none of them could make the same impact. The scenes shot with Nutan didn’t look crude or vulgar. But Nutan never did a scene in a swimming costume again .

The 60's saw Saira Banu appearing in skinty shorts in the flim "Junglee" which created a sensation in those days and people went to see the flim only to watch her thighs.

The same kind of skinty shorts was worn by Sharmila Tagore in " An evening in Paris" and her song with Shammi Kapoor , "Assmaan pe aaya farishta" made "An evening in Paris " a superhit .

The 70's started with a bang when a dancer called Padma Khanna wore a revealing costume and dance in the most provocative manner in front of a drunk and arrogant Premnath with the song , " ishq ke laakhon rang " in the flim "Johnny Mera Naam" and Padma and her sexy and seductive dance became a highlight of many other flims produce in the 70's .

The daring scene were getting more and more bold and it was Simi Gerewal who gave boldness a new meaning when she posed in a completely and real nude shot in Conrade Rook's "Siddhartha" .

But , the censors asked Rook's to cut off the entire nude sequence and when Rook's refuse , Siddhartha was not released in India . Simi also did a sexually titillating sex scenes in Raj Kapoor's classic" Mera Naam Joker".

Raj Kapoor had a passion to expose the body of his heroines and he did it with his big actresses like Padmini , Vayjayanthi Mala, Zeenat Aman and Mandakini.

He had an explanation for making his actresses do bold scenes and he said , " people will come to see the bodies of my heroines and go back appreciating my film " .

In the 70's , there was a director called B R Ishara who introduced his own form of films which were mostly based on sex .

He made a star of Rehana Sultan by asking her to do nude scenes in her very first film in "Chetna" which had bedroom scenes and other love making scenes that gave a jolt to the still docile audience.

The censors tried their best to ban most of his film because of what they called " vulgar content " . But Ishara kept making bold films with bold actresses till he suddenly died .

The sex scene and the bold exposure of actresses who were willing to do anything gradually crept into bedrooms and every second or third film had bedrooms scenes in them , some shown without any inhibitions and some shown with all the clever camera movements and other technical gimmicks.

Aur ab aisa waqt agaya hai hindi cinema mein jab aise gande aur bold (?) scenes karne waalo ki ek poori jhund ban gayi hai .

Ek naye kissam ke bindass actresses ki ek club aisi jaisi ban gayi hai . Aur iss gang ne jo naami ladkiyaan hai jinhone saari parampara, sharam aur neeyat ko gandi hawa mein udaa diya hai .

Aur inme pramukh naam hai Tanushree Dutta , Nandana Sen, Kalki Koechlin , Mallika Sherawat , Esha Gupta, Seema Rehmani, Sunny leone ,Radhika Apte, Sherlyn Chopra aur Sasha Agha.

Aur jo bold ladkiyaan Netflix aur baaki OTT platforms par apna kamaal ki kartoote dikhati hai roj, unka kya kehna!

YEH BINDASS LADKIYAAN HAMARI SABHYATA KO KIS ANDHERE KONE MEIN LE JAA RAHI HAI AISA LAGTA HAI KI AISA HI SAB CHALTA RAHA TOH KISIKO SWARG JAANE KI JARURAT HI NAHI PADEGI. INN LADKIYO NE SWARG KA MATLAB HI BADAL DIYA HAI . KUCH MERE GYAANI DOST KEHTE HAI KI YEH BINDASS KHEL HAMARE PRAGATI KI NISHANI HAI . KYA HUMNE AISI PRAGATI KI UMMEED KI THI ? SOCHO, SOCHO, DILSE POCHOO, MANN SE POCHOO AUR JAB JAWAB MIL JAAYE TAB KRIPYA KARKE MUJHE ZAROOR BATAYE. HUMNE WOH ZAMANA DEKHA HAI , HUMKO AISE ZAMANE KO DEKHNE KI KOI KHWAAISH NAHI HAI . AUR JINKO KHWAAISH HAI, UNKO UNKI ZINDAGI MUBARAK.