Birth Anniversary: O. P. Nayyar said "Will not repeat old mistakes"

There is no need to introduce OP Nayyar afresh in front of crores of film-music listeners, who would be saved from immersing himself in Nayyar's wonderful tunes? Nayyar's music and the level of gust of wind are equal, just as a man floats in the easterly winds, in the same way, after listening to Nayyar's music, a man loses his consciousness and starts dancing on his magical tunes.

The magical Musician

Before the arrival of Nayyar in the ocean of film music, there was silence, but when Nayyar came, new waves came into that silence, a new gust came, Nayyar used music like magic, like a snake dances after listening to the tunes of the bean. By the way, Nayyar's music also made the listeners crazy, I remember very well the incident in my city when I was sitting in a cinema hall and enjoying watching a film. The music in that film was by Nayyar and when the hero started singing on the screen and started dancing along with the song, the audience also went uncontrollable and started dancing. As long as the dance and song continued on the screen, the audience also kept dancing, I was a little angry, after all, civilization is also a thing. What's the point of dancing in a cinema hall like this? But music is far from any false glory and show of false civilization, music is only that in which man forgets his worldly consciousness and immerses himself in the supernatural world. That is, unless a person forgets this false world after listening to music, it cannot be music at all, it can only be false acrobatics.

Divine elements are also found in OP Nayyar's music

We have heard that when Krishna used to play the tune of the flute, the Gopis of Braj used to leave their husbands and children and run away, they all were crazy about that tune. We have heard that despite being a queen, Meera used to dance in the streets to the tunes of music. Music is associated with divine qualities when it can give supernatural pleasure to man. Divine elements are also found in OP Nayyar's music and this is the reason that after listening to his music a person starts dancing and loses consciousness. Whenever any song is heard in films like these 'Chu-Mantar', 'Johnny Walker', 'C.I.D', 'Naya Daur', 'Phagun', 'Tumsa Nahi Dekha', 'Ek Musafir Ek Hasina', 'Phir Wohi Dil Laya Hoon', 'Kashmir Ki Kali' and 'Pran Jaye Par Vachan Na Jaye', the man gets lost in another world, they forget themselves and their feet start tapping, but the magic of this magician of music has not been seen in a new form in front of the film music audience for the last five years. ‘Pran Jaye Par Vachan Na Jaye’ is an O.P. released in 1972. Asha Bhosle received the Best Singer Award from Filmfare for the song 'Chain Se Humko Kabhi Jeene Na Diya' from Nayyar's film and since then Nayyar's music has been lost.

People could not know where Nayyar had gone and where his tunes had disappeared

For the full five years, the tunes of this musician kept troubling the listeners, this uncrowned king of music, famous for his Ghunghru lyrics, Dholak beats, and harmonium playing, got lost in some deep cave. People could not understand this, where did Nayyar go and where did his tunes disappear, these questions kept coming up, but no one had the 'answer' and in these five years, the press and O.P. Nayyar were also on the same page. Remain separate from others. But ever since producer Ratan Mohan signed O.P. Nayyar for 'Heera-Moti' produced by RM Arts Productions, a new panic has arisen, and to answer those many questions, innumerable sources of film music are working. The curiosity of the audience has crossed its limits. Producer Ratan Mohan has also signed Nayyar for his next film 'Khoon Ka Badla Khoon', and the recording of the song of this film was being completed in Mehboob Studio, coincidentally I also got the opportunity to participate in this recording. Nayyar's tunes with budding singers like Vani Jayaram, Uttara Kelkar, and Pushpa Pagdhare in their signature style were in the air and the atmosphere was full of fun.

The feet of all the people present in the recording were tapping and they were dancing in the same way as an intoxicated drunkard dances.

The feet of all the people present in the recording were tapping and they were dancing like drunken drunkard dances, the song was OK in the very first take. Nayyar had just come out to congratulate his friends and the budding singers when I requested him to talk to them on behalf of millions of readers of 'Mayapuri' and he agreed to do so. The next day at the appointed time, I was in front of O.P. Nayyar on the tenth floor of 'Miramar' located on Nepean-Sea Road. He was engrossed in the rehearsal of the next song of 'Khoon Ka Badla Khoon' along with his two colleagues. After I reached, he bid farewell to both of them, harmonium and dholak were lying in front and they were sitting on a white mattress leaning against the wall. The entire page on the screen is full of pictures of Ratan Mohan with O.P. Nayyar, identical to those pasted on all four walls of the room, announcing that O.P. Nayyar is back with his tunes. As soon as Nayyar Saheb left, he said, 'Except for four journalists and magazines, there is no scope for any journalist or film magazine in my place.

Most of the magazines have spread false things about my relationship with Asha ji that my heart is broken by her.

Most of the magazines have published so many misleading and false things about my relationship with Asha ji that I am heartbroken by them, I love solitude. My life has aimed to remain engrossed in spiritual contemplation and musical practice, hence I have no time for meaningless things. Describing his silence for the last five years, he says, who can say about the fate of man and the character of woman? Why should I blame anyone? Maybe there was some sin in my previous births for which God punished me and I did not get any work for five years, but it does not mean that I remained inactive, music was always with me and I was never separated from music. Stayed. I have art, and the producer has wealth, I can sell my art but not my conscience, that's why for the last five years I did not go to any producer asking for work, politics is in my line, and I became a victim of factionalism. For fourteen years I have been a slave to only one voice, and perhaps I have been punished for it, now I will give a chance to many new voices to emerge simultaneously and will never repeat the old mistakes.

When Asha ji came to me, she was completely new.

“God has sent the producer Ratan ji to me as a friend, and I have joined this Mahabharata afresh with full confidence, I am nothing, God will fight my battle, even in the Mahabharata Arjun was just an agent, all It was Krishna who fought the battle. While presenting his comment on the current situation of film music, OP Nayyar says, today there is a great lack of self-confidence among the musicians and they have become slaves of only two voices. They do not dare to create new paths for new voices, when Asha ji came to me, she was completely new, I made that new voice stand in front of the powerful voice of Lata. Shamshad also came close to me when her popularity was decreasing, but in what way did she use these voices with her music? The world is witness to this, the fragrance of her voice left by Asha ji will never diminish but after that, no one gave any new twist to her voice. Will Nayyar's music not miss the voice of hope in the future? Nayyar Saheb says, “I consider both Lata ji and Asha ji as Malika-e-Tarannum (Melody Queen). Especially Asha Ji will feel that the soul of Nayyar's music is ingrained in her. Even today, I have great respect for Asha ji, even if for some reason we are not together today, still I have no complaint against her, we have respected her even while living separately, whereas on the contrary, under the influence of others, she has talked about me. I have given false statements. I am confident that she will never think anything wrong about me. But my opponents have assassinated my character by taking his name. I don't know what kind of accusations were leveled against me, which only I know, but at such a time, that couplet of Kabir remained in front of me, 'Nindak Nire Rakhiye Aangan Kuti Chhavaye', those condemners kept my character intact and I never broke down.

A good artist never breaks

A good artist never breaks', Asha Ji's voice is not there in my new films, yet my listeners will get the same enjoyment of music as they have been getting. I am hopeful that my experiments with budding singers like Vani Jayaram, Dilraj Kaur, Uttara Kelkar, and Pushpa Pagdhare will be successful. What is the most important thing in film music, i.e. song? Everyone knows the impact that a poet or a poet creates in poetry conferences even without musical accompaniment. In the new era, I have also incorporated the creations of budding lyricists like Ram Bhardwaj and Ahmed Warsi in my music. There are more idiots in the Indian film industry where lyricists are given less importance than composers. Afterwords and tune, the voice has the third place. If there is a charm in my tunes, then any note can bring color after some hard work and I am ready to work hard with new people, it is the beautiful Namma who helps me in making good tunes. Is obliged to. Today's music does not have the power to make a person restless, it will be called noise and not music, wait for a while, and let's see, whether I take my listeners back to that deep ocean of music or not. 'leke pahala-pahala pyaar', 'ude jab-jab julphen teri', 'ik paradesi mera dil le gaya', 'sar par topee laal haath mein resham ka rumaal', 'ihut shukriya badee meharavaanee', 'banda paravar thaam lo jigar', 'ye chaand sa sundar chehara', 'kajara mohabbat vaala', 'badal jae agar maalee', 'yaheen vo jagah hai jahaan ham', 'ye desh hai veer javaanon ka alabele mastaano ka.'

Tags : Omkar Prasad Nayyar | op nayyar hit songs | o p nayyar tune

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