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Jagdeep Birth Anniversary: Jagdeep, the legendary comedian who lit up Bollywood with his humor, was the last pillar of the golden era that once reigned with comedy kings like Agha, Mukri, Johnny Walker, Mehmood, I.S. Johar, Kesto Mukherjee, and Asit Sen. His iconic wide smile, those red betel-stained teeth, his catchphrase "Khamba ukhad ke," and the memorable "Main hoon Surma Bhopali" while tilting his eyes in that playful manner, all became a part of the cinematic world’s memories. Today, these moments live on only in our recollections and on the screen.
Jagdeep always used to say, “I’m the actor of the common man. People gave me roles, and I played them. Though I never preferred being typecast as just a comedian.” Aruna Irani, his close friend, recalls how Jagdeep would entertain her between shots, cracking jokes and making her laugh uncontrollably. But once, when Jagdeep came to the set stressed and slightly intoxicated, he immediately apologized. Aruna reassured him, "Koi baat nahi, aisa hota hai kabhi kabhi, tension na lein." The next time they met, Jagdeep called her his best friend for understanding his pain. Even eight months before his passing, Aruna visited him despite the difficulty in walking, but his trademark wide smile was still intact. Though his eyes had dimmed and the wrinkles deepened, his face told the story of his remarkable life.
Was his childhood any less tragic? Despite being the son of Barrister Syed Yawar Hussain Jafri, the partition's horrors and his father’s untimely death forced him and his family—mother Kaneez Haider and elderly grandmother—to live on the streets of Mumbai. The family would take shelter under a mat during rain, and young Jagdeep (whose real name was Istiyaq Ahmed Jafri) was often tempted by street criminals who tried to lure him into their gang with a few coins. But from an early age, he refused and preferred selling soaps, kites, incense sticks, and combs for a few extra annas. It was during these tough times that a peer told him that small jobs in the film industry paid a rupee, which led the nine-year-old Jagdeep to walk from Mahim to Dadar every day in search of work at Ranjit Studios.
His persistence paid off when he was chosen for a small role as a clapper boy in the film Afsana for a mere three rupees. By luck, the child actor who was supposed to deliver an Urdu dialogue " Ba Adab Ba Mulahiza Hoshiyaar" failed, and Jagdeep asked for the role, earning six rupees instead. This was Jagdeep’s debut film, and it also marked the directorial debut of B.R. Chopra. He then went on to work as a child artist in films like Munna, Ham Panchi Ek Dal Ke, and Ab Delhi Door Nahi, gaining recognition for his stellar performances.
In Hum Panchhi Ek Daal Ke where he played Lalu Ustad, he even received a gift—a walking stick—from the then Prime Minister Jawaharlal Nehru. Russian children, too, sent him a scarf after watching the film. But it was Bimal Roy’s Do Bigha Zameen that truly marked a turning point in his career. People often assumed that Jagdeep began his comedy journey with Brahmachari, but it was actually Do Bigha Zameen that kickstarted it. Following this, he became known for his roles in films like Aar Paar, Aasmaan, Bhai Sahab, Dhobi Doctor, and Shikwa.
Jagdeep was a rare actor who worked in over 400 films for a span of 70 years. He brought laughter to the world, and his presence became a must in every film, whether or not he had a role. Fans would swarm him for autographs or a handshake wherever he went. One fan sent him a postcard that read, "I didn’t want to live, but when I saw how you endured countless hardships and still made people laugh, I learned how to live." Jagdeep also worked in films of modern times like Phool Aur Kaante, Andaz Apna Apna (where he became famous for the character "Bankelal Bhopali"), China Gate, Life Partner, and Gali Gali Chor Hai. He only worked with filmmakers who respected him, as he found today’s comedic style lacking. He once said, “In our times, the writers knew how to generate comedy just from dialogues. Today, we don't even get ready dialogues during shoots, so how are we supposed to make the audience laugh? We end up relying on expressions and gestures.”
Jagdeep had also worked as a lead actor in five films, including Nand, Ajra, Amita, Naz, and Barkha, among which Barkha held a special place in his heart. These films gave him the chance to lip-sync to some iconic songs like ““Paas Baitho Tabiyat Bahal Jayegi” and “Pyar Kiya Nahin Jata.”
Jagdeep didn’t shy away from doing negative roles either, such as in Ek Masoom and Mandir Masjid. He even starred in supernatural films like Purana Mandir and 3D Samri, directed by Ramsay Brothers. Jagdeep, however, was never one to waste money. In the early days, with the money he earned, he bought a small hut near JJ Hospital in Byculla for his family. Later, he purchased a room in Mahim, and after working with AVM film company, he bought a bungalow in Madras. However, his mother wanted him to settle in Mumbai, so he eventually bought a bungalow there.
When his mother passed away, Jagdeep sold the bungalow and moved to a flat. After a hiatus from films, he returned to work, but the industry had changed, and he struggled to adapt. Nevertheless, he always found work in TV serials. His sons, Javed Jafri and Naved Jafri, understood the monumental contribution their father made to the industry, but they never took pride in being children of a comedy star. Jagdeep was a loving father but made sure his children experienced normal life, even insisting they travel by buses and local trains instead of cars to understand life as it is.
His grandson, Meezaan Jafri, described his grandfather as a firecracker, full of energy and brilliance. Jagdeep made a film called Soorma Bhopali, but halfway through, he realized that no one wanted to buy it due to the lack of big stars. However, he refused to include a scene with a dancer, and instead, he invited his renowned colleagues as guests, eventually releasing the film as a fun and entertaining piece.
Jagdeep took immense pride in working in two of the greatest films of all time—Mother India and Sholay (where he portrayed the iconic " Soorma Bhopali"). He recalled that after meeting Ramesh Sippy for Sholay, he initially decided not to take the role, but his wife convinced him to do it, and the rest is history. Jagdeep’s career had him collaborating with legendary filmmakers like K.A. Abbas, Raj Kapoor, AVM, Bimal Roy, Guru Dutt, Mahboob Khan, and Ramesh Sippy—great directors who valued art and artists.
Jagdeep often remembered an incident when Mahboob Khan slapped Nargis to get the perfect emotional expression for a scene. He believed it was such great filmmakers that shaped his career. Sadly, as the industry evolved, Jagdeep found himself sidelined by new-age filmmakers who were more obsessed with trends than artistry. So, after his last film Gali Gali Mein Chor Hai in 2012, Jagdeep bid farewell to the Bollywood industry.
What always troubled him was the fact that comedians in Bollywood didn’t have a National Award category, and he felt that comedy was often dismissed as mere acting. Despite being nominated four times for Filmfare awards, he took great pride in the love he received from the public throughout his life. This love, he believed, was his true wealth—both during his life and after it.
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